Classic House Series, Episode #2: Superstylin’ – Groove Armada

For me the best part of this tune is like the best part of a good roller coaster:  THE DROP!!!

If you want to know what it sounds like to be hit by a sonic boom, stand very close to the speaker the next time you hear this one in a club (it’ll happen).  This sun-drenched piece of funk combines the huge basslines of the speed-garage movement that was very popular at the time, with live percussion and a ragga-laced vocal to create my favourite tune of 2001 and one that never leaves my crate.

You’ll recognize Groove Armada (Tom Findlay and Andy Cato) as the electronic wizards who gave us 1999’s big-beat classic “I See You Baby“(featured in NUMEROUS commercials and films thanks to a big, silly remix from a big, silly remixer, Fatboy Slim).  With their second album, the fantastic “Goodbye Country, Hello Nightclub“, the band sought to move away from the more chilled sounds of their debut LP “Vertigo” to deliver some pumping anthems aimed squarely at the dancefloor.  They succeeded brilliantly, with “Superstylin'” becoming one of the most played club anthems around the world and establishing the lads as a driving force in combining the hottest elements of club music with live musicians and pop sensibility.

This one was nominated, but sadly passed over, for the Grammy for Best Dance Recording in 2003(???), and IMHO definitely deserved to win.  Not only was the production top-notch (including the infamous DROP before the bassline kicks in) but it definitely had a good sing-along vibe thanks to the ragga-influenced vocals from M.C. M.A.D.  The arrangement alternates between some full-on stomp moments and a few breaks to “just recline….” and catch your breath before the drop comes in again.

Like many acts who released tunes during this time period, this track was way ahead of its time and still sounds amazing on a soundsystem today.  I’ve worked it in everywhere from clubs to weddings to private parties and it always goes down in a storm.  I dare anyone to try to NOT shake their booty when the percussion lines come in, it simply ain’t happening.  Always a welcome favourite in my sets, this is definitely one to pull out and play out again, the smile on your crowd’s face will say it all.  Pure class.

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